Easter 2024

When someone has been a Christian for a while, it's not always easy to find something new to cover in the Easter story.

But there is still stuff to find. The Palm Sunday service last week mentioned how Jesus was putting his own twist on the traditional triumphant processions of leaders then and now; coming in on a much more humble animal to symbolise the true way of doing kingship.

Also, I recently learned how the fact the son in the Parable of the Prodigal Son having to feed the pigs was the lowest job he could get - remember pigs are unclean in Judaism.

Jesus came to free us from the heavenly consequences of our sin, although that doesn't necessarily mean getting off scot-free on earth. Not by a long chalk in some cases. We are still expected to act in a just and right way, which can mean owning up to our mistakes sometimes. Regardless of how many mistakes we make though, he still loves us. 

Happy Easter everyone.

So, this 15-year-old girl puts on a proton pack... (Review: 'Ghostbusters: Frozen Empire')

I saw the new film yesterday at a rather different venue to my usual one - the Vue in Leicester Square, which has handprints of some famous actors at the entrance and a time capsule not to be opened until 2093.

The screen was much smaller than the ones in Romford, but all the chairs reclined.

Anyway, my comments on the film:

• Mckenna Grace is again the MVP, as she was in Afterlife. She ends up on her own arc for much of the movie as Phoebe's forcibly benched on the grounds that she is, well, 15. However, she gets to demonstrate the fact that she's a real genius several times, including in the third act. Ghost Corps see Phoebe as the main character going forward and they're not mistaken in that choice.
• Emily Alyn Lind's character is entirely absent from the trailers, but plays a vital role in the overall story.
• Finn Wolfhard isn't frankly one of my favourite actors and I'm not really keen on Trevor Spengler in general. His most notable moment is an encounter with Slimer and that's saying something.
• Paul Rudd and Carrie Coon have a good double act going, with his funny man to her straight woman. The "Busting makes me feel good" bit in the trailers is part of a longer and actually pretty good gag.
• The old gang get some good material to work with, although Venkman doesn't really do all that much in the picture. Winston Zeddemore's overall leadership role works very well and I'd be happy to see him in other movies.
• Kumail Nanjiani as Nadeem is arguably the comedy heart of the movie, with some great gags involving him, especially one bit in the climax.
• Walter Peck is back and is a rather cartoonish foil for the Ghostbusters. The main villain of the piece is far more chilling, pun intended.
• The visual effects look great throughout, although they might have driven the movie's budget up beyond the point it can be profitable.
• The movie doesn't outstay its welcome, although there are some pacing issues in the first half with the climax somewhat rushed. The fact they had to do principal photography with the writers on strike - before the actors walked out themselves - meant that the opportunity The trailers are pretty misleading, but when are they not?
• The 1984 score makes several welcome appearances in this movie.
• The ending is a nice call back to the original movie too.

Conclusion

A highly enjoyable popcorn movie, or whatever your choice of foodstuff is, because I don't eat popcorn. It's not got the greatest plot in the history of movies, but does everything have to?

8/10

Persian Incursion Playthrough Notes

 As promised, please see my playthrough notes here.

Some pages are missing as I forgot to save the scan and others didn't scan very well. Sorry for that.

Insert Kai Pun Here (Review: 'The Karate Kid', 1984)

Watched this on Netflix over the last three days; that streamer of course is responsible for Cobra Kai, one of their longest-running shows at six seasons. Although some wags may remark that getting a second season is long-running for Netflix.

Anywhere, my thoughts on a very 80s movie:

• It takes 41 hours of non-stop driving to get from Newark in New Jersey to Reseda in California. How long would the journey take with all the stops in a car that needs jump-starting on several occasions.
• As is common with many a movie teen, Ralph Macchio was in his early 20s when he did this movie. He manages to look convincingly younger in this, demonstrating the right sort of 'I know more than you, old man' attitude that works for a coming of age piece like this. You do sympathise with him and want him to be happy. He's mentioned in Stranger Things as someone Max Mayfield finds to be hot and I can see why.
• Speaking of attractive people... Elisabeth Shue as Ali. Now I'm more familiar with the older Ms. Shue from her role in the latter seasons of CSI: Crime Scene Investigation, but I can see that she must have been popular among certain female-liking types in the 1980s. The term "girl next door" springs quickly and she's definitely got the outfits for it.
• Mr. Miyagi. Now this is a case of "it's trope-y because it wrote the tropes". I'm sure I've seen quite a few characters like him over the years. The broken English, Japanese accent stuff definitely would not fly in this day and age, but the character is more than just a stereotype; he's got a sad backstory involving a darker side of American history not really explored at that point.
• "Wax On, Wax Off". Having not seen this movie before, I figured there was some sort of point to that, but I wouldn't have waited for four days before asking what it actually was.
• My experience with Asian martial arts consists of precisely one judo lesson, but they make the rules fairly clear here. Although my own research seems to suggest under-18s don't get black belts. Not these days at any rate.
• However, I did do fencing at university. The earlier fights in the tournament are over quickly and much more realistic for actual combat. The final showdown... well, that's clearly choreographed.
• Bullies in 1980s movies are particularly creative in their cruelty, while simultaneous being as dumb as a box of rocks. Hey, it comes with the genre.
• Cobra Kai do not seem as a whole to be very nice people, but we get some depth near the end, where they're reluctant to follow instructions from their sensei.
• I see Bill Conti did the music for this - he also did the Rocky series and the James Bond film For Your Eyes Only, one of Moore's better movies. It's good, but I can't say it's memorable, bar some of the other songs.

Conclusion

A pretty enjoyable slice of pure 1980s teenage movie with some good performances and generally well-made.

8/10

London Loop Section 18

Or [audible squelching], as it would appear on a Netflix show.

Yesterday, I made my way to Enfield Lock station in the north of London, intending to cover Sections 18 and 19 of the London Loop. This would entail a walk to Chingford, then another one from there to Chigwell. About 9.5 miles.

Now it started off reasonably OK, apart from getting rather lost on the first bit of the walk before I realised I'd turned off one turn too early.

I reached Enfield Lock, not the biggest thing to name an area after by a long chalk.

I crossed over the River Lee Flood Relief Channel, which marks the boundary between the London Borough of Enfield and Epping Forest, which isn't in London.

So far, so good. Then I crossed Sewardstone Road and the whole thing went to pot. Or rather to mud. The next field I had to cross was very muddy and the grass itself squelched under my boots as I walked along. It hadn't rained that day, but a bunch of rain from previous days and weeks had saturated the ground.

Things didn't get much better condition-wise from there. Several times I was having to step across muddy puddles that were deep enough that you couldn't see the bottom and came dangerously close to the liquid mud ending up inside my boots. They needed extensive cleaning when I got home.

I passed Gilwell Park, home of the Scout Association (I went there when I was in Cubs) and then got some great views towards Central London from Yates Meadow.

I eventually reached Chingford, back in the London Borough of Waltham Forest and had lunch in the Holly Trail Café before making a start on Section 19, hoping things would get better.

I got as far as the Butler's Retreat and seeing the path ahead was still a quagmire, my heart was no longer in it. I wasn't prepared to spend at least two more hours trudging through thick mud, especially as the weather was turning.

So, after a look round the Visitor Centre and the Queen Elizabeth Hunting Lodge (that the Tudor monarch probably never personally used), I headed for home.

I plan to do the next two stages - getting me to Havering-atte-Bower - at some point in April, keeping a careful eye on the weather as usually. Hopefully be less muddy then... 

Don't mind me. I'm just here for the screaming British woman (Review: 'Damsel')

Millie Bobby Brown is very much one of the main attractions of Netflix. At least they seem to think so, considering that they make big films centred around her, with The Electric State coming next.

Now, I wouldn't call myself a massive fan of the woman in Stranger Things (I prefer other characters in that), but she's pretty charming in Enola Holmes and when I saw this movie was coming out, I decided that there are worse ways to spend two commutes. I watched this on my tablet, so I didn't notice the CGI issues.

So anyway, my thoughts on this:

• The movie takes rather a long time to get going. It's about thirty minutes before Elodie is yeeted into the dragon pit.
• MBB is admittedly one of the common type of "slightly haughty posh British actresses"; or that's the sort of roles she plays outside of Stranger Things. Playing a noble lady therefore comes across as fine, but without a great dialogue coach, she's not going to pass as a shop assistant from Romford, unlike say Michelle Dockery.
• Elodie screams a lot. Like seriously a lot. In fairness, much of it is in circumstances where screaming is to be expected, but MBB is definitely getting the reputation as a scream queen out of this. The actress has a wonderfully expressive face and can do a range of emotions very well; there's a good overall progression to her arc in this movie. A movie openly feminist and released on International Women's Day to boot.
• Another aspect is that this is basically "Millie Bobby Brown does a striptease". Well, part of one. Her dress gets progressively torn to shreds over the course of the movie and by the end, she's gone from "royal ball" to "Romford nightclub and having fallen down the escalator at the Brewery". She gets some fairly nasty injuries, but most of them are healed and nothing ends up detracting from her beauty at the end of it.
• There's some deep horror stuff in all of this, because Elodie isn't the first young woman to have been fed to this particular dragon by a long chalk.
• The plot is a pretty good one, although some of the character motivations at the end are a bit odd and the conclusion of the story leaves some big questions open about the future.
• Shohreh Aghdashloo has exactly the right sort of voice you'd want for a dragon; reminding me of the late Sir John Hurt in Merlin.
• Ray Winstone does Ray Winstone, just Ray Winstone with a castle. Now, I say that Pegasus was a one-trick pony, but I get a feeling that he was slightly miscast in this one.
• Robin Wright as an evil queen is arguably the best of the rest of the cast; one notes that one of her early roles was of course in The Princess Bride. None of the others really stand out.
• One can't help but notice the resemblance in names between "Elodie" and "Eleven". No-one makes an "El-o-die" pun, which is a pity.

Conclusion

A decent enough film, but not a true great. Definitely saved by Millie Bobby Brown.

7/10

Scanning old material

I've been scanning some of my old notes and am currently finishing off the scan of my Persian Incursion playthrough that I did in 2012-2013. If you look in the November 2012 posts, that's where it starts

The raw PDF will be uploaded here shortly - minus 10 pages I somehow failed to save before throwing the originals away.